Jackson O'Brasky, Elephant Man, 2019, acrylic and oil on canvas, 18 x 24 inches

Alta Buden, Umbos, 2019, Rockite, oyster shells, mica, hand blown glass, 13 x11 x 6 inches

Jackson O'Brasky, The Old Road, 2019, Oil on canvas, 60 x 72 inches

Jackson O'Brasky, Argumentum Ad Hominem, 2019, oil on canvas, 24 x 20 inches

Alta Buden, Resilium, 2019, Rockite, mica, handblown glass, oyster shells, 13 x 13 x 7 inches

Jackson O'Brasky, John Bradshaw Layfield Versus the Heartbreak Kid, 2019 Oil on canvas, 67 1/2 x 72 inches

Alta Buden, Lamina, 2019, Rockite, oyster shells, mica, handblown glass, dirt, 14 x 9 x 3 inches

A Fearful Hope

Alta Buden & Jackson O'Brasky

June 6-July 27, 2019



I had a dream, which was not all a dream. 
The bright sun was extinguish'd, and the stars 
Did wander darkling in the eternal space, 
Rayless, and pathless, and the icy earth 
Swung blind and blackening in the moonless air; 
Morn came and went—and came, and brought no day, 
And men forgot their passions in the dread 
Of this their desolation; and all hearts 
Were chill'd into a selfish prayer for light: 
And they did live by watchfires—and the thrones, 
The palaces of crowned kings—the huts, 
The habitations of all things which dwell, 
Were burnt for beacons; cities were consum'd, 
And men were gather'd round their blazing homes 
To look once more into each other's face; 
Happy were those who dwelt within the eye 
Of the volcanos, and their mountain-torch: 
A fearful hope was all the world contain'd; 
Forests were set on fire—but hour by hour 
They fell and faded—and the crackling trunks 
Extinguish'd with a crash—and all was black. 
The brows of men by the despairing light 
Wore an unearthly aspect, as by fits 
The flashes fell upon them; some lay down 
And hid their eyes and wept; and some did rest 
Their chins upon their clenched hands, and smil'd; 
And others hurried to and fro, and fed 
Their funeral piles with fuel, and look'd up 
With mad disquietude on the dull sky, 
The pall of a past world; and then again 
With curses cast them down upon the dust, 
And gnash'd their teeth and howl'd: the wild birds shriek'd 
And, terrified, did flutter on the ground, 
And flap their useless wings; the wildest brutes 
Came tame and tremulous; and vipers crawl'd 
And twin'd themselves among the multitude, 
Hissing, but stingless—they were slain for food. 
And War, which for a moment was no more, 
Did glut himself again: a meal was bought 
With blood, and each sate sullenly apart 
Gorging himself in gloom: no love was left; 
All earth was but one thought—and that was death 
Immediate and inglorious; and the pang 
Of famine fed upon all entrails—men 
Died, and their bones were tombless as their flesh; 
The meagre by the meagre were devour'd, 
Even dogs assail'd their masters, all save one, 
And he was faithful to a corse, and kept 
The birds and beasts and famish'd men at bay, 
Till hunger clung them, or the dropping dead 
Lur'd their lank jaws; himself sought out no food, 
But with a piteous and perpetual moan, 
And a quick desolate cry, licking the hand 
Which answer'd not with a caress—he died. 
The crowd was famish'd by degrees; but two 
Of an enormous city did survive, 
And they were enemies: they met beside 
The dying embers of an altar-place 
Where had been heap'd a mass of holy things 
For an unholy usage; they rak'd up, 
And shivering scrap'd with their cold skeleton hands 
The feeble ashes, and their feeble breath 
Blew for a little life, and made a flame 
Which was a mockery; then they lifted up 
Their eyes as it grew lighter, and beheld 
Each other's aspects—saw, and shriek'd, and died— 
Even of their mutual hideousness they died, 
Unknowing who he was upon whose brow 
Famine had written Fiend. The world was void, 
The populous and the powerful was a lump, 
Seasonless, herbless, treeless, manless, lifeless— 
A lump of death—a chaos of hard clay. 
The rivers, lakes and ocean all stood still, 
And nothing stirr'd within their silent depths; 
Ships sailorless lay rotting on the sea, 
And their masts fell down piecemeal: as they dropp'd 
They slept on the abyss without a surge— 
The waves were dead; the tides were in their grave, 
The moon, their mistress, had expir'd before; 
The winds were wither'd in the stagnant air, 
And the clouds perish'd; Darkness had no need 
Of aid from them—She was the Universe. 


Alta Buden (b. 1984, New York City) is a multidisciplinary artist whose work addresses our relationship to the environment, which she “records” using various mediums to capture the data, history and memories present in the ever shifting and evolving landscape. Her pieces become vessels of sorts, mediating the human experience of nature while holding the biological, and geological forms from their origins. drawing on her studies of evolutionary biology and New Age mysticism.  She received her B.A. in Visual Arts and Philosophy of Science from the University of Chicago in 2007, an MFA from Hunter College in 2017 and received a Pollock-Krasner Fellowship in 2013. Her work has been exhibited in New York and Chicago and has been shown at the Smart Museum of Art (Chicago, IL) and the Museum of Contemporary Art (Chicago, IL).  She lives and works in Brooklyn, New York.


Jackson O’Brasky (b.1992, Pittsburgh, PA) is a New York based painter.  His work examines the idea of a future society after environmental collapse.  He received his BFA from Rhode Island School of Design in 2014 and an MFA from New York Academy of Art in 2019.