Emily Furr

Battle Salute, 2022, Oil and acrylic on linen, wood frame, 60x 48in.

Apollo 69, 2022, Oil and acrylic on linen, wood frame, 37x 31in.

Emily Furr (b. 1978, St. Louis, MO)  is a New York based visual artist. Furr draws upon Precisionism, Surrealism, and Pop Art to make work that feels both timeless and profoundly timely. Her work examines human attempts to control the uncontrollable, producing disorienting images which insert intimately terrestrial objects into galactic star-scapes. Engaging themes of industrialism, transformation, and the cosmic void, Furr’s work speaks to the fragility of human exploits in comparison with the vastness of the universe.

Furr received her MFA from Hunter College, NY in 2018. Her work is in the permanent collection of the Orange County Museum of Art (Costa Mesa, CA) and the Denver Art Museum (Denver, CO). She has recently exhibited at 12.26 Gallery (Dallas, TX and Los Angeles, CA), Sargent’s Daughters (New York, NY and Los Angeles, CA), Rebecca Camacho (San Francisco, CA), Office Baroque (Antwerp, Belgium), O’Flaherty’s (New York, NY), Galerie Hussenot (New York, NY), amongst others; as well as being featured on the cover of New American Paintings’ 25th Anniversary Edition.  She was an artist in residence at the Watermill Center (Watermill, NY) in 2019.  In 2021, a solo exhibition of Furr’s work was presented at the SCAD Museum, Savannah, GA, curated by Ariella Wolens, assistant curator of SCAD exhibitions. Furr presented a solo booth of new works with Sargent’s Daughters at the Armory Show in 2022.

Her work has been reviewed in Artnet, Artforum, Hyperallergic, Burnaway, The New York Times, Time Out New York, amongst others. Furr is represented by Sargent’s Daughters. Her recent solo exhibition at Sargent’s Daughters Los Angeles, “Bombshell,” marked her debut Los Angeles presentation and her fourth solo exhibition with the gallery.

Exhibitions

Felix Art Fair 2024

Bombshell

Death of Beauty

Metal Heart

The Armory Show 2022

So Tough

NADA Miami 2020

Marfa Invitational 2019

NADA Miami 2018

Mother Lode 

News

Yale Review | Volume 112, Number 1, Spring 2024

Between the Lines: An RxART Coloring Book by Contemporary Artists – Volume 9 | RxART

Sublime Minutiae (online), Exhibition A | December 2, 2023

Missile Dance (2023) Acquired by the Denver Art Museum, Denver, CO | September 25, 2023

Limited Edition Lunar Cut (2023) | Exhibition A

The Intelligencer | July 13, 2023

White Columns Benefit Auction | Bidding closes June 1, 2023

Extra Strength, 12.26 Gallery, Dallas, TX | April 19 – June 3, 2023

EXPO Chicago, Booth 275, Rebecca Camacho, Chicago, IL | April 13 – 16, 2023

Basic Fit, Office Baroque, Antwerp, Belgium | February 10 – April 8, 2023

Galerie Magazine | November 30, 2022

Art for Change x Galerie Magazine limited edition prints of Moon Chute

Mechanical Poems, 12.26 West, Los Angeles, CA | September 25 – October 29, 2022

The New York Times | September 1, 2022

O’Flaherty’s, New York, NY | July 9 – August 10, 2022

Hyperallergic | July 7, 2022

Platform Anniversary Capsule | July 2022

Office Baroque | April 4 - June 30, 2022

BOOOOOOOM! | December 11, 2021

Dallas Art Fair, 12.26 Gallery, Dallas, TX | November 11 – 14, 2021

Platform Art | November 2021

TWO X TWO Auction for AIDS and Art, Dallas, TX | October 23, 2021

Omni Mind, Rebecca Camacho, San Fransisco, CA | September 23 – October 29, 2021

Sweet Jane in Fields of Daisies, curated by Joan Tucker, Phillips (Private Selling Exhibition) | September 7 – 28, 2021

Woman in Paris, Galerie Hussenot, Paris, France | June 18 – July 24

Dynamite Bridge, 12.26 West, Los Angeles, CA | May 15 – June 13, 2021

Medium | May 5, 2021

Burnaway | March 31, 2021

Connect Savannah | March 5, 2021

Emily Furr: Star Tap, SCAD Museum of Art, Savannah, GA | February 9 – May 9, 2021

Artnet | January 5, 2021

ARTFORUM | August 24, 2018 

Hyperallergic | August 18, 2018

Artnet | August 14, 2018

Time Out New York | August 6, 2018

Bedford and Bowery | July 30, 2018

Publications

Emily Furr - So Tough