Yeni Mao | Love Songs
May 8 – May 30, 2026
Yeni Mao, fig 45.4 i am a tower, 2026, nickel plated steel, low-fire ceramic, 7½ x 11⅜ x 25⅝ in.
Yeni Mao | Love Songs
May 8 – 30, 2026
Sargent’s Daughters is delighted to present a solo exhibition of Mexico City-based sculptor Yeni Mao (b. 1971, Canada), in conjunction with Mao’s solo presentation at Frieze New York 2026. Love Songs features a constellation of Mao’s recent sculptures that cradle found or bronze-cast objects in nickel-plated steel armatures, each work enacting a negotiation between control and surrender.
Mao’s cyborg assemblages emerge from the architecture they inhabit, whether suspended from the ceiling or low to the floor. Though they reference the lexicon of industrial production, the sculptures are hand-made by Mao in his Mexico City studio, drawing on his experience in foundries and architectural trades. Each sculpture begins with a central object – stone or glass collected by the artist, articulated ceramic forms, or cows’ tongues cast delicately in bronze. Mao then builds a steel frame for this object, which acts as both a support for its display and an animating form. Nickel-plating gives the steel a mirror-like surface, though subtle indications of hand-making remain in grinding marks and welded lines.
As the viewer experiences the work, the anatomy of their body is equated with Mao’s built systems, suggesting that the construction and deconstruction of our identities and selves are also fabrications. Viewers are forced to navigate the work, avoiding sharp spikes and crouching low to view internal structures, their images reflected in the polished metal. For Mao, the combination of the found objects and the metal frames evokes the interrelation of flesh and industry. The laboring body exists in relation to mechanical processes, where the individual is subsumed by the apparatus. Mao’s work plays out this tension, yet through alluring textures and forms, makes us desire the machine.
Yeni Mao (b. 1971 Guelph, Canada) is a Chinese-American sculptor based in Mexico City. He received a BFA from The School of Art Institute of Chicago, and subsequently trained in foundry work and architectural industries in the US. Recent solo exhibitions include Campeche (Mexico City, MX), Brooke Benington (London, UK), Frieze Focus with Make Room (Los Angeles, CA), and guadalajara90210 (Guadalajara, MX). Recent group shows include Museo Jumex, Museo Tamayo and Sargent’s Daughters. Mao is a recipient of the Pollock-Krasner Foundation Grant 2021. Mao’s work has been written about in Art in America, The New York Times, Time Out New York, and The Village Voice. He will have a solo exhibition at Museo Anahuacalli in Mexico City in Autumn 2026.